Amazing Architecture # 3 - Pustevny, Czech Republic

Pustevny is a hilltop ensemble of gingerbread-style folk buildings in the Valašsko region of the Czech Republic close to the border with Slovakia. The surrounding Beskyd mountains are popular with hikers in the summer and skiers in the winter, and there is a chairlift in operation to carry visitors up the mountain to the village.

The buildings were designed by Slovak architect Dušan Jurkovič and constructed together with local Moravian master builder Michal Urbánek in the 1890's, drawing upon traditional Slavic folk art and building styles of the Valašsko region and the Carpathian Mountains. The final appearance of the buidlings also incorporates elements of the Art Nouveau style which was prominent at that time. Construction began in 1897 and was completed in 1899. Jurkovič also designed several other wooden buildings with a classical Slavic folk style in the present-day Czech Republic, such as the spa buildings in Luhačovice or the covered bridge in the castle gardens in Nové Město nad Metují.

The two most famous buildings in Pustevny are named Libušín and Maměnka, and they sit side by side together on top of the hill. Maměnka houses accommodation and has a wooden interior decorated in a similar style to the exterior, with traditional expressions and sayings painted on the walls.

Libušín is a restaurant serving traditional Wallachian and Moravian dishes. The name of Libušín comes from the legendary Czech princess Libuše. The interior of Libušín is decorated with beautiful frescoes designed by Mikoláš Aleš based on Wallach and Slovak folk legends. Art Nouveau-style chandeliers add a further touch of elegance to the dining room.

Another famous feature of the architectural collection at Pustevny is a small bell tower which stands near the trail head for the climb to the top of Radhošť mountain. The tower was designed by Jurkovič in the same distinctive Wallachian style as the other buildings and is a valuable example of Slavic folk art.

Further up the hill towards the summit of Radhošť there is a stone statue of the Slavic pagan god Radegast, while at the highest point there is a wooden chapel dedicated to Saints Cyril and Methodius, the patron saints of Moravia. Several festivals and special events take place in Pustevny each year, with the Snow Sculpture competition held in January among the most popular.

On 3 March 2014 a large fire in Pustevny caused extensive damage to the folk cottage called Libušín. The open air museum in Rožnov pod Radhoštěm declared that it was committed to rebuilding Libušín as faithfully as possible according to the original design. This project was expected to cost tens of millions of Czech Crowns and a fund for public donations was established. Benefit concerts were also held to get the funding campaign started.

There are several ways to get to Pustevny depending on the direction you approach it from. A road up the mountain from the southern side ends with a parking area just below Pustevny, and several buses per day run to the village from the nearby town and regional tourist hub of Rožnov pod Radhoštěm. Hiking trails also lead from the eastern end of Rožnov pod Radhoštěm to the summit of Radhošť mountain and onwards to Pustevny. For those who prefer a relaxed trip to the top there is a chairlift in operation in both winter and summer which connects Pustevny with the village of Trojanovice at the base of the mountain on the north side.

Amazing Architecture # 2 - Sucevita Monastery, Romania

The monastery of Sucevita is one of the largest of the eastern Orthodox painted monasteries in the Bucovina region of north-east Romania. A set of tall stone fortifications protect the buildings inside, foremost among them the main church which was built between 1582 and 1601. The exterior of the church is almost completely covered in a fabulous series of colourful frescoes which are astoundingly well-preserved after centuries of exposure to wind, rain, and winter snow.

In the 16th century the Ottoman Turks were a constant threat to the region, and large armies were readied to defend the territory. The heavily fortified monasteries served as a safe place for the soldiers and local citizens to take refuge in during attacks, and it was decided that biblical paintings should be placed on the exterior church walls in order to teach the bible to the illiterate soldiers camped there, with the added incentive of increasing their fighting zeal against the Muslim enemy.

The frescoes can be read much like a comic strip is today, though scenes such as the Ottoman siege of Constantinople were intended as a stark warning of what lay in store for the people of the region if they didn't organize adequate resistance. Upon entering the monastery through the main gate, the north wall of the church is visible straight ahead. It is almost completely covered by the 'Virtuous Ladder' fresco which shows the 30 steps which must be climbed to get from hell to paradise. Groups of angels encourage the faithful and lead them upwards, while devils grab at their legs from below the rungs, ready to pull them downwards if they should succumb to temptation. The southern wall features a 'Tree of Jesse' which is meant to symbolize the unity of the New and Old Testaments. Surprisingly, the western wall was left unpainted, and legends claim that an artist working on the frescoes fell from the scaffolding and died, which other artists took as a sign that they should leave the job unfinished.

Sucevita is one of the most remote of the Bukovina monasteries, though there are two buses daily from the small town of Radauti which has regular connections to Suceava. There is also a hiking trail which connects the monastery to Putna monastery further to the north.

Amazing Architecture # 1 - Garni Temple, Armenia

This Greco-Roman temple sits near the edge of a cliff above a deep canyon in Garni, a small village 32km east of Yerevan. The stunning mountainous landscape which surrounds it greatly enhances the beauty of the temple itself. Most likely it was originally constructed in the 1st century AD by King Tiridates I of Armenia using funds he received from the Roman Emperor Nero, and was dedicated to the heathen God Mithra.

The temple was sacked when the region was conquered by Timur Lenk in 1386, and in 1679 the temple was levelled by an earthquake. Most of the original columns and building blocks remained at the site until the 20th century, and the temple was reconstructed under the guidance of Soviet archeologists between 1969 and 1975. The sloped roof of the temple is supported by 24 Ionic columns which sit on an elevated podium.

The blocks of the temple are made of basalt, and it is possible to distinguish between the original bocks and the modern replacements by the lack of carving on the newer stones. Several Christian churches, a palace and a bathhouse were built around the temple after the adoption of Christianity in Armenia in the year 301 AD. These buildings are now in ruins, but floor mosaics can still be seen in the bathhouse. A series of fortification walls made of huge basalt blocks protected the temple complex, and together with its location on a triangular outcrop above the valley, the site had superb defensive capabilities.

Garni can be reached by bus or marshrutka from Yerevan and makes a great daytrip from the capital. Many people go to see the temple in Garni while on the way to or from a visit to the Geghard Monastery. While in Garni village, another worthwhile sight that few tourists visit is the ruins of the fortified monastery of Havuts Tar.